Journalists knock on a lot of doors of absolute strangers. My first time came as a reporter for my high school newspaper, and I have spent decades since that day chasing the thrill.
It was 1994, and my friend Asra and I were standing on the front steps of a house in our working-class town about 30 miles west of Chicago.
Our far-flung suburb was never in the news for good reason, but around that time, the Smashing Pumpkins had exploded into the mainstream. Front wailer Billy Corgan was one of us — graduating from our high school exactly 10 years ahead of me.
Even if Corgan didn't make a fuss about his roots, our community claimed him in a way that I know Minnesotans can fully appreciate.
Asra and I set out to interview his former teachers, friends and bandmates for a special four-page exposé on Corgan's high school years. It was a little bit gumshoe, a little bit Teen Beat. And that is how we came to ringing doorbells and cold-calling strangers, all in search of a story. I remember thinking: This is fun. And: I could do this for the rest of my life.
For many years I believed I could.
I built a career in newspapers and, most recently, in public media, where I was lucky enough to report and shape some of the most important stories of the day in Minnesota. The idea of slowing down never dawned on me.
When you work in daily news, you cover the night meetings of city government and school boards. You take the call, no matter the time of day, when a source has mustered the gumption to dial your number. And when truth, democracy and human decency are at stake, you marshal everything you have to tell stories that can change the tide.