Remember when live music was a normal thing? When people attended concerts, had band practice without social distancing, and danced at bars maskless?
In the exhibition "Music Box," Weinstein Hammons Gallery takes a look at the visual aesthetic experience of music through more than 50 works of art, mostly photography.
The exhibit was meant to open last spring, but got pushed back because of the pandemic. Intended as a 25th anniversary celebration for the gallery, it now reads as nostalgic, almost bittersweet.
The show is a graceful mix of vintage and contemporary work, by artists both well known and obscure. Given the theme, some feel obvious. People dancing and listening to music; musicians performing; portraits of music icons; marching bands; musical instruments; even a historical photograph of Woodstock. And it wouldn't be a Minneapolis exhibition without images of Prince and First Avenue.
Despite some clusters of visually similar photographs — concerts, record covers, significant musicians — the arrangement is more like a treasure hunt. Expect some surprising finds.
Although Robert Mapplethorpe was known for his photos of nude men, his expressive black-and-white portraits of Iggy Pop, Patti Smith and Yoko Ono demonstrate what he could do with less access to the physical form.
Martin Schoeller's creepy close-up portraits make familiar icons look grotesque. The one of Prince reveals just how much gold foundation he wore. A portrait of Dolly Parton takes on new meaning in this cultural moment, with her transformation of her 1970s tune "Jolene" into "Vaccine," a message of pandemic encouragement.
A cluster of vintage photographs focusing on significant Black musicians includes Wallace Seawell's 1967 photo of "Diana Ross & the Supremes" and Bob Willouhgby's sly 1950 photo of a smiling, white tuxedo-clad Louis Armstrong reflected in a mirror hanging on the wall. Ted Russell's undated photo captures band members riding the train home after a gig. A giant horn stands upright, nearly blocking the aisle.
