Pentatonix singer Scott Hoying suddenly perked up over the phone.
He had just learned about the cause behind the benefit concert that his champion a cappella quintet is performing Saturday in Minneapolis. It's for PACER Center, a Twin Cities agency that helps children with disabilities and operates anti-bullying programs.
"Oh, my gosh. That's an incredibly important organization," Hoying said. "I think that anything we can do to put an end to bullying is something we want to do. Because bullying affects kids for their entire life and affects your future."
He knows. He speaks from personal experience. He was bullied as a youngster. Name-calling. Taunts like "Why do you talk like a girl?" "Why do you act like that?"
"A queer kid in Texas," the 31-year-old said. "I had a tepee in the closet and tried to hide the true me for so many years. I was a really eccentric kid. I had a lot of energy, and I was goofy and so over the top.
"There was one specific time where a kid physically hurt me that has stuck with me to this day. Stuff like that in your formative years can really, really affect your development," he said. "I feel like it's something I'm still dealing with. I'm still writing songs about it as a form of therapy. Empathy and kindness and connection and kids are essential."
For Pentatonix, the Minneapolis benefit is an isolated concert in a year that has been mostly time off. Soprano singer Kirstin Maldonado gave birth to her first child in the summer. New bass singer Matt Sallee got married. Yet, Pentatonix still managed to squeeze in the recording of another yule album, "Holidays Around the World," the group's sixth Christmas offering in eight years.
In fact, two weeks after the PACER concert, Pentatonix will hit the road for its annual holiday concert tour. Like Bing Crosby and Mannheim Steamroller, Pentatonix has become synonymous with Christmas music. Is that a blessing or a curse?