For fans of Pillsbury Hall, 2018 could be remembered as the year when the second-oldest building on the University of Minnesota campus receives a much needed $36 million renovation.
The project — more than 20 years in the making — also would transform the 1889 beauty into the home of the university's English Department, which has been making due in "temporary" quarters in nearby Lind Hall for more than a half-century.
Pillsbury Hall has a place of pride and affection among architecture buffs and the U community. President Eric Kaler has said it's his favorite building on campus. It's also a physical symbol of a pivotal moment in the U's history.
John S. Pillsbury, a former governor, the co-founder of the precursor to the Pillsbury Co. (now General Mills) and a 38-year university regent, donated the 2017 equivalent of roughly $4 million for a science building. The gift came with a savvy caveat: that a proposal to split agricultural and mechanic arts education to another school would be shelved. The university's land grants remained intact, and a landmark — named, in gratitude, for the "father of the university" — rose on the young campus.
"Without that building and the governor, there wouldn't be a university, period," said Madelon Sprengnether, an English Department regents professor emerita and an early and ardent advocate of the Pillsbury Hall project.
In the building's early years, soot from an adjacent heating plant smudged the exterior into the Pillsbury Hall that was familiar to generations of Gophers: a glowering, blackened fortress. In 1985, the grime was scrubbed away, revealing the building's long forgotten beauty.
With two shades of rough-hewed, Minnesota-mined sandstone as its primary materials, the building's colorful facade is the antithesis of the U's standard "brick lump" that starchitect Frank Gehry was asked not to replicate when he was commissioned to design the nearby Weisman Art Museum.
Deep arches, steep staircases, a turret and a granite-trimmed portico all stand out. Eaves are trimmed in copper, and whimsical decorative elements — gargoyles, a Medusa, intricately carved pilasters, checkerboard and floral patterns, state and university emblems — continually reveal themselves.