Bette Midler had the crowd guffawing at her spoken introduction. "The next song is one everyone wants to sing along with. Please don't," she urged Sunday at Xcel Energy Center in St. Paul. "There's only room for one diva in this hockey rink. That would be me."
But instead of singing, Midler prattled on about iPhones and taking a photo of the Apple flag at company headquarters in California. Then she finally caught herself. "Did I sing the ballad?"
Um, no. At times on Sunday, Midler's timing was off. She occasionally rushed through her comedic lines like American Pharoah trying to get to the finish line. When she sang fast songs, her flow wasn't always fast enough or her enunciation clear enough. But when it came to the ballads, boy, did she sing them.
When she finally got around to singing "The Rose" after that don't-sing-along intro, she disarmed with that gleam in her eye and that grin on her face — and then she poured her heart and soul into it, standing in a long red-sequined gown. Talk about your star turn. Talk about your goose-bump moment. When she held her right hand high in dramatic lighting during the final line, there were more than 10,000 pairs of eyes watering that rose.
Midler wasn't done. In fact, she was just getting started. The ensuing "From a Distance" proved she can convince with her small voice as much as she does with her big one. Then she tore into "Stay with Me," belting it like a deep-voiced Broadway blues before stopping mid-song to talk about how the piece has changed its meaning for her. When she sang it in the movie "The Rose" in 1979, it was about unrequited love, she explained, but now she sees it as being about the important people in her life who have passed on.
Next, Midler, with her excellent band behind a curtain, encored with "Wind Beneath My Wings," becoming so emotional that she had to wipe away her own tears.
For the previous hour and a half, the Divine Miss M had sold schmaltz, shtick and silliness. But if you stripped away the jokes, costumes, dancing and skits — all of which were highly entertaining — you realized that she's also about songs. And it wasn't just during the home stretch.
Midway through the program, Midler delivered a four-song set that not only showed her smart taste in material but her interpretive acumen. The old Yiddish ditty "Bei Mir Bist Du Schoen" was all about pure four-part group vocalizing, a harmony-happy swing tune. Turning TLC's 1995 hip-hop pop hit "Waterfalls" into a husky-voiced ballad was both a savvy move and a wonderful opportunity for Midler to be a heartfelt singer, not merely an actress who sings.