Reviewed in brief: 'Mustang' and 'Point Break'

Deniz Gamze Ergüven's fresh-spirited moviemaking debut is a sad, uplifting, culturally outspoken and remarkably entertaining young girls' film. While it's filmed in Turkish, the French coproduction is France's submission for the Oscars' Foreign Language Film. It should be. It speaks a touching international language of frustrated youth that anyone can understand.

In a village by the Black Sea, five beautiful orphaned sisters walk from school back to their grandmother's. Along the way they play with classmates, climbing onto their shoulders for some frisky chicken fights, getting their school uniforms soaking wet. Their carefree innocence is observed by a neighbor who calls them disgusting and shortly the whole conservative town is talking (the film doesn't address religion directly but it clearly opposes moralist fundamentalism). Grandma is criticized for raising girls unprepared for matrimony. After whipping them, she launches a crash course in old-school marriage skills. They are taken to the doctor to ensure that their virginity is intact, and their uncle calls them very bad names.

The scandal throws the girls into a frenzy. They heroically smash all the seats in the house because the "disgusting" chairs touched their bottoms. Still, they're pushed into loveless marriages, delivered to the groom's family like auctioned goods. Each of them has a long mane of hair that makes them look like foals eager to run free. The film plays as if Sofia Coppola's dreamy "The Virgin Suicides" had featured a cast of untamable rebels whom the power structure couldn't lasso.
COLIN COVERT

Point Break
⋆ out of four stars
Rating: PG-13 for perilous activity, some sexuality, strong language and drug use.

It takes a very special director to make scenes of sky-diving, big-wave surfing and BASE jumping something to yawn at. Yet Ericson Core is that kind of miracle worker, because "Point Break," his update of the 1991 cult classic, is basically a cavalcade of extreme sports — but with less drama. The remake once again has FBI agent Johnny Utah (Luke Bracey, taking over for Keanu Reeves) going undercover to investigate a string of crimes. And Johnny still gets starry-eyed after meeting a mystical anarchist named Bodhi (Edgar Ramirez, standing in for Patrick Swayze). Yet this is a completely different movie, because Core seems to believe that what people loved about the first "Point Break" wasn't the cheesy dialogue or the bromance-induced moral conundrum, but all of the adrenaline. A rush, it turns out, only goes so far.
Stephanie Merry, Washington Post