Sunday night, beneath floodlights at the Hamel Rodeo on the northwestern edge of the metro, all eyes were on Texas bull rider Dustin Bowen as he straddled a couple thousand pounds of breathing beef named Swappin Paint.
Only rarely does ol' Paint allow himself to be ridden, and chances were good on this night he would launch the boots-and-jeans clad Bowen into thin air before he could record a score-earning eight-second ride.
Not far away, in the arena, facing Bowen and Swappin Paint, Donnie Landis stood in a padded aluminum barrel, an oversized cowboy hat on his head, his nose a Bozo-like red bubble, his face painted the colors of a clown.
In fact, Landis is a clown, and as such, day after day, year after year, he crisscrosses the nation mixing cornpone jokes with the mud, blood, guts and beer that underpin America's most proletariat and, some say, toughest sport: rodeo.
Like most rodeo clowns, Landis also doubles as a barrel man during bull-riding events, and he was poised now to protect Bowen when he dismounted Swappin Paint — willingly or not.
Bull riders flung to the ground far from the stepladder safety of arena fences or bucking chutes often seek refuge behind barrel men. It's then a bull might beeline for Landis, head-butt his barrel and airmail it and its occupant skyward — all to onlookers' wild delight.
"Bulls are tougher today than when I was a kid," Landis said. "The breeding of bulls is a lot better. It used to be you'd get on someone's backyard bull and try to ride it for eight seconds. Today you're getting on someone's athlete and trying to stay on for eight seconds. There's a difference."
Now 56 — old for a rodeo clown; ancient for a barrel man — Landis, of Gooding, Idaho, has been around rodeos since he was a toddler. His great-grandfather was a pickup man (the guy who dislodges bronc riders from their horses), his grandfather rode bucking horses, and his dad ran the rodeo table.


