Ryan Adams books his first Minneapolis concert since sexual misconduct fallout

The Oct. 21 date at the State Theatre is part of a comeback attempt after a 2019 New York Times article brought his career to a halt.

June 17, 2022 at 10:00AM
Ryan Adams at the Invictus Games Closing Concert, Queen Elizabeth Olympic Park, London, Britain - 15 Sep 2014 (Brian Rasic, Rex Features via AP Images) ORG XMIT: 4104260dp
Ryan Adams performing in London in 2014. (Associated Press/The Minnesota Star Tribune)

The long and strange saga of Ryan Adams' many visits to the Twin Cities is about to get longer and probably stranger.

The onetime Americana music golden boy has booked an Oct. 21 date at the State Theatre in Minneapolis as part of an eight-city fall tour. It will be Adams' first time performing in town since the New York Times ran an investigative story in February 2019 detailing his many years of sexually predatory and harassing behavior to women and girls.

Tickets for the Friday night show — priced $64 and up — go on sale this Friday at 10 a.m. via Ticketmaster, whose corporate partner Live Nation is the promoter behind the concert.

Adams always worked with First Avenue Productions for his Twin Cities dates before his fall from grace, but not this time. First Ave had seen him through several great and several truly troubled shows over two decades, including a 2007 State Theatre gig where he kept moving stage monitors and left in a huff after 70 minutes. A December 2003 show in the Mainroom saw him drunkenly rail against local music hero Paul Westerberg and eventually cry, saying, "I just go home for Christmas."

Now reportedly sober, Adams, 47, has been steadily trying to work up a comeback after his career came to a standstill following the Times story. The famously prolific singer/songwriter has self-released four albums over the past three years. He also already played his first public performance last month at Carnegie Hall (reportedly a solid three-hour performance), and he's due at Los Angeles' Orpheum Theatre next week.

Among the women who accused Adams of emotionally abusive and/or sexually harassing behavior in the Times article were fellow indie music star Phoebe Bridgers, his ex-wife Mandy Moore and another musician who was underage at the time but told Adams she was 18. Bridgers was 20 and Adams was 40 when she said they had a relationship that turned harmful and "obsessive."

While he initially denied most of the allegations, Adams penned a lengthy, groveling apology published by the Daily Mail in 2020 in which he admitted, "I've mistreated people throughout my life and career."

"To a lot of people this will just seem like the same empty bull***t apology that I've always used when I was called out, and all I can say is, this time it is different," he wrote.

"Having truly realized the harm that I've caused, it wrecked me, and I'm still reeling from the ripples of devastating effects that my actions triggered. There is no way to convince people that this time is truly different, but this is the albatross that I deserve to carry with me as a result of my actions."

Moore — who's slated to perform at First Ave on July 12 — said of the apology, "I find it curious that someone would make a public apology but not do it privately."

Another singer/songwriter who alleged misconduct in the Times article, Karen Elson, gave this reaction: "He called (me) a liar, which added more pain and made me disillusioned with the entire music industry. I would like to hope he would contact women he has hurt via his representatives to apologize privately and give us the opportunity to speak our truth on all the ways his actions caused suffering, and for him to listen and try to make amends."

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

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