Swedish immigrants dubbed their quirky shantytown ravine "Svenska Dalen," meaning "the Swedish valley," back in the late 1850s. That morphed into what folks commonly called "Swede Hollow" — an outhouse-dotted creekside village of about 1,000 people with neither running water nor electricity. Razed in 1956 and now a public park, Swede Hollow became home to a revolving cast of poor immigrants on St. Paul's lower East Side.
"One of the weirdest neighborhoods ever nestled in a city … for Swede Hollow, life has been a series of cycles of nationalities — beginning with the Swedes who settled there first … then came the Irish and later the Italians and finally the Mexicans," longtime St. Paul newspaper columnist Gareth Hiebert wrote under his pen name, Oliver Towne, in 1956. That's when the city deemed the place a health hazard and burned it down.
Three decades earlier, Swede Hollow had transformed into an entrenched Italian enclave during Gentille Yarusso's seven-year stint delivering newspapers in the ravine in the 1920s.
"Everyone spoke Italian, even the small children playing near the streams," Yarusso recalled. There was Damiani's grocery store and little Mike Pizzella who played his accordion at every wedding and baptism.
Like the Swedes a generation before, Italian immigrants would often arrive by train at St. Paul's Union Depot with notes pinned to their lapels.
"On each tag was written Joseph Yarusso, No. 2 Swede Hollow," Gentille recalled. His grandfather would often walk down to "greet these friends and relatives, who had just come from the Old Country."
Joseph Yarusso and his wife, Nicolina, emigrated from Italy to St. Paul in the early 1890s when Gentille's father, John, was a young boy. Joseph worked as a railroad laborer and stabilized his family's footing in Minnesota — a lesson he shared with newcomers whom he'd escort along the railroad tracks to their new home in the Hollow.
"By pinching and scrimping, in a year or two, when they had saved enough money, they, too, would move to better living quarters — Up on the Street," Gentille Yarusso wrote in an 1968 essay.