Stories were everything to Syl Jones, and he used them not only to make sense of this world but to dream new ones.
A provocative playwright, contrarian opinion columnist and evangelical pioneer in the field of narrative medicine — where doctors and nurses improve outcomes by understanding and treating the whole person, not just their isolated symptoms — Jones died Nov. 10 at Sholom Home West in St. Louis Park. He was 72.
He went into hospice after a catastrophic stroke on Aug. 27, 2020, a day when he was slated to teach doctors and nurses at Hennepin Healthcare, according to his son McGraw Jones.
If there’s a comfort to his last days, it’s that he had a sense of what the end might look like from his work in health care and theater, said Mixed Blood Theatre founder Jack Reuler, who hired Jones as a playwright in residence for more than a decade.
Jones led workshops and wrote plays to teach doctors to better know themselves as carriers of trauma and stress, and to better comprehend their patients.
“Without a doubt, Syl left the world better than he found it,” Reuler said.
To the public, he’s best known for his writings onstage and in newspapers including the Minnesota Star Tribune and the Minneapolis Spokesman-Recorder, where he wrote prickly opinion pieces on social, cultural and political topics for decades.
His plays championed underdogs and included “Black No More,” an adaptation of George Schuyler’s classic science fiction novel about an invention that turns Black people white, thereby eliminating the rationale for racism. The satire premiered in 1998 at the Guthrie Theater before traveling to Arena Stage in Washington, D.C.