Restaurant review: Cardamom ⋆⋆ out of four stars
At the Walker Art Center — as is typical for busier contemporary art museums these days — there's something for all 700,000 of us who visit each year. If Edward Hopper's reflective "Office at Night" doesn't get to you, then maybe the swath of blues on Yves Klein's "Mondo Cane Shroud" will.
Restaurants apply, too. At the recently shuttered Untitled, at the Whitney Museum in New York, restaurateur Danny Meyer peddled his brand of New American elevated comfort food to museumgoers who were equally enticed by cobia ceviche and rotisserie chicken. You'll find caviar with bone marrow and lamb belly en croute at Tim Hollingsworth's Otium at the Broad Museum in Los Angeles alongside whole branzino, little gem salad and pork chops with lemon.
So claiming to serve food "influenced by the cuisine of the Aegean and Mediterranean seas" is brave, considering that what's offered at Cardamom, Walker Art Center's newest restaurant, reads like a themed menu from Disney World's Epcot Center.
Only it's much, much better. While there's a kids' section filled with safety nets like chicken tenders, grilled cheese, cheeseburgers and a slightly off-brand — and curiously bland — cacio e pepe, you'll find that the rest of the menu mostly stays true to Cardamom's word, and does justice by most of its dishes. Harissa, ras el hanout, sumac and feta are featured heavily, and bright, zippy, floral notes abound. Meats and vegetables are generally cooked with precision.
It's the least to expect from prolific restaurateur Daniel del Prado, who diversified his portfolio with Tex-Oaxacan (Colita), modern Argentinian (Martina), Sicilian-ish pizza (Rosalia), Roman-Italian (Josefina) and Japanese-Italian (Sanjusan). Cardamom, which opened in July, is del Prado's sixth restaurant and his second in collaboration with pastry chef Shawn McKenzie, after the duo opened Café Ceres.
As pioneering as del Prado is, there's a bit of Ceres in Cardamom's corner with a pastry counter filled with McKenzie's greatest hits, like those airy danishes and the mildly savory tahini cookies that gleam like black glitter. They're fine options for those who come for (serious) coffee and stay for a pastry or two. In other words: Don't leave the restaurant without them.
The pastry counter hides in the corner of an otherwise sparse and minimalist space framed by large windows, blank walls and a meditative stretch of blond woods that keeps in line with the Walker aesthetic. Outside is a large dining terrace that frames an elevated view of the Minneapolis skyline — few other dining venues can compare.