James Lileks
So "Star Trek" has been around for half a century.
What if we're celebrating just because boomers grew up with it, and anything the boomers loved as kids has to be celebrated as the apex of human civilization? A space-opera melodrama is one thing, but when you add occasional flashes of social relevance to "Buck Rogers," you get the sort of thing the boomers would congratulate themselves for liking.
What if you pointed out that the progressive topics the original show covered were handled with superficial skill? Oh, this planet is split by two competing political and economic agendas — just like us! Whoa. Here's an episode in which humans don't understand something strange, but eventually come to respect it! The show even features one of TV's first interracial kisses? That's brave, even if Kirk and Uhura were forced.
What if it's really one of the most overrated TV series in the history of the medium?
Well, it's not.
It was a great show. (Mostly.) The sequel series were great. (Mostly.) The movies were great. (Well, except "Star Trek V: The Final Frontier.") You can say that its cultural impact is overestimated, but when you saw "Kirk and Uhura" above, there's a 92 percent chance you recognized the names. And even if you weren't a fan, if I cocked an eyebrow and said, "A 91.742 chance, to be precise," you'd know I was impersonating Spock.
So yes, "Star Trek" turning 50 matters. And, yes, it's important. Cultural historians will pay more attention to "Star Trek" than "Star Wars," simply because the latter is a space opera, and the former is a space opera that reflected the eras it inhabited.