One way to look at Michael Engebretson's art is to imagine you're living in, let's say, the year 1200 and you meet an unusual artist who claims to see a future full of mind-boggling technological and social advancements.
Eight hundred years from now, the artist tells you, humans will travel in carriages powered by burning liquid derived from decomposed animals. They'll have discovered that their bodies are swarming with trillions of invisible creatures, benevolent ones as well as evil ones that can sicken or kill them. They'll carry little machines in their pockets with which they can access a boundless supply of information, create amazingly realistic pictures and communicate with people elsewhere on the Earth — which, by the way, is a sphere that rotates around the sun, not the other way around.
Oh, and women and men will be officially proclaimed equal, and peasants can realistically aspire to lead kingdoms.
"Yeah, right," your 13th-century self might say. But of course, everything the visionary artist described is ordinary today.
Fast forward to 2023 and you can have a contemporary version of that experience with Engebretson's art, which depicts a future a million years from now in which multiverses and outer-space worm holes are as familiar as cars and cellphones are now, and society is more accepting of differences.

Transdimensional Multiversal Nonlinear Cosmic Traveler, an exhibit of Engebretson's paintings, drawings and ceramics, is open through April 14 at Interact, a center in St. Paul where performing and visual artists with disabilities can develop, show and sell their work.
"Our mission is to challenge perceptions of disability," said Brittany Kieller, Interact's gallery director.
Engebretson, who is 28 and lives in White Bear Lake, has autism. He credits that identity with enabling him to think and imagine in ways that those with neurotypical brains do not.