The origins of the documentary "The Claw" go back 11, 14 or 26 years, depending on whom you ask. So it makes sense that there are different stories about its completion, too.
"The Claw" is a portrait of 80-year-old pro wrestling icon Jim "Baron von" Raschke, a former star of the Minneapolis-based American Wrestling Association. Named for Raschke's signature head-grabbing move, "The Claw" is showing online as part of the Minneapolis St. Paul International Film Festival. Director Philip Harder tinkered with it until its world premiere last week and, although he and co-producer Karl Raschke (Jim's son) agree the long-gestating movie came into focus recently, they differ on what got it to the finish line.
Music was crucial for Harder, whose work includes feature "Tuscaloosa" and dozens of videos for artists including Low (who hired the Baron to appear in the Duluth band's "Shame" in 1995). "The Claw" includes tracks from local favorites Babes in Toyland, Suicide Commandos and Rifle Sports — and the music/wrestling connection is not just geographic.
"In wrestling, you'd have names like the Crusher, the Destroyer, Mad Dog — these big, villainous stars who'd slam chairs over people's heads," said Harder. "It seemed to me punk rockers learned from that. Some of them would smash the mic into their forehead and bleed. Those guys probably saw wrestling when they were kids. For me, the edit [of 'The Claw'] really exploded when we started to put this cool Minneapolis punk music in."
Harder, 56, said his wife overheard him working on the movie and wondered why wrestlers are always screaming, which gave the filmmaker pause.
"I thought, 'That makes sense. It's such a one-sided story. We need a woman's perspective,' " he said. So he asked Baron's daughter, Heidi Raschke, to be part of the documentary. "She's just a star, telling all these great stories," he added.
It's his sister's involvement that Karl Raschke, 50, thinks put the finishing touch on "The Claw," which grew from a same-named play produced at St. Paul's History Theatre in 2007 and co-written by Karl and Cory McLeod. Heidi was not involved in that project, but Karl says her contributions crystallized the movie, which began filming in 2010 and was fueled by a 2013 online fundraiser. (Full disclosure: I have worked with both Karl and Heidi in the past.)
"That interview with Heidi gave us the end of the movie and all kinds of great stuff," Karl said.