The downtown Minneapolis bookstore that Mary Taris opened is for the little girl on the North Side whose eyes would have lit up had she set foot in such a shop.
More than 50 years ago, that little girl was Taris. Shy and seemingly invisible, she endured chaos at home and struggled with her identity, not even knowing she was Black until middle school.
Books were her solace and her escape. And yet she never saw Black characters in books, nor did she learn about matters that tied in with her life.
"I used to think books saved me," Taris said. "Now I think books let me down, because when I was reading books, I was always wishing to be someone else."
Do children need more Black protagonists? Of course they do, which is why Taris' new bookstore sells titles centering on Black narratives. Her company, Strive Community Publishing and Bookstore, is built on her years of work as a schoolteacher, searching for culturally relevant literature for the youngsters in her classroom in hopes of saturating them with stories reflecting who they are.
She remembers visiting public libraries because the school she taught at didn't have many works about and by African Americans. Most of what she found were historical books about slavery or the civil rights movement.
"There aren't many books that represent Black joy," she said. "We can tell our stories. They can be fun. We need books that bring joy into kids' lives, and adult lives, as well."

Diversity among the characters featured in children's books has been gradually increasing, but the sphere of publishing gatekeepers remains largely homogenous. About 76% of publishing staff, review journal staff and literary agents are white, according to a 2019 diversity baseline study by Lee & Low Books. (Children's books written by Black authors in 2021 jumped three percentage points to about 9% from 2018, according to the Cooperative Children's Book Center at the University of Wisconsin in Madison.)