She kicked off last month’s Grammys telecast with a wowing performance -- a full-throated rendition of her biting anti-fame single “Vampire” that culminated with blood spilling down her cheeks.
By the end of the awards show, though, Olivia Rodrigo seemed to have mud on her face. She had one of the biggest-selling albums of the year and six total nominations, and yet she went home with zero trophies.
Was the Grammys slight a sign that Rodrigo’s status as pop music’s new It Girl is over? Let’s hope so. Grammy voters have long been bad at recognizing long-term rock ‘n’ roll royalty early in their careers.
As she returns to town for just her second Twin Cities performance Friday at Xcel Energy Center -- tickets for which sold out instantly, resulting in resale seats 10 times their original price -- Rodrigo really is starting to look like a rock star for the ages.
Her latest album, “Guts,” is a full-volume banger. Building on the momentum of “Brutal” -- the last and best song on her 2021 debut LP, “Sour” -- Rodrigo channels ‘90s rock acts from Nirvana to Elastica to the Breeders in new songs such as “All-American Bitch,” “Bad Idea, Right?” and “Ballad of a Homeschooled Girl.”
She rocks out convincingly and rather thrillingly, too, balancing genuine angst and bright-eyed wonder with jealousy and raging hormones alongside smart wordplay and mighty song hooks. Those are pretty much the core ingredients rock ’n’ roll was built on, and there aren’t many young acts mixing them together better than Rodrigo at the moment.
However, Rodrigo still seems to be fighting for respect. She’s only a couple years removed from being a Disney TV star, after a three-season run in “High School Musical: The Musical: The Series.” That no doubt is one deterrent for her being taken seriously.
She’s also still remarkably young, a mere 21, another detriment in many industry watchers’ eyes; especially if you’re a woman.