Many museums around the United States have impressive pieces of medieval armor, but there is only one place where you can visit a collection that shows with brilliant simplicity 1,500 years of the evolution in the function and artistry of arms and armor. The Art Institute of Chicago? No. The Smithsonian? No. It is the Castlerock Museum in Alma, Wis. -- a Mississippi River town of fewer than 1,000 residents.
The museum, which opened in June, excels at telling how arms and armor evolved from the Roman Empire to the cusp of the gunpowder era. Highlights include an 11th-century sword from the First Crusades, helmets dating as far back as 300 A.D. and full Maximillian armor that dates to about 1530.
The museum's founder, Gary Schlosstein, explains how the museum came into being in such an unlikely place.
Schlosstein, a retired circuit judge with deep roots in the Alma area, began collecting antique weapons at an early age. "I started collecting by picking up a Civil War musket when I was 10 years old and then I got into collecting early firearms. As I grew older, my interests grew older."
He bought his first pieces of medieval arms from a fellow enthusiast who decided to focus on other interests. "I ended up, over ... a couple of years, picking up his small collection of medieval arms; it just sort of fired my interest. And then I just started attending some various East Coast auctions and things like that. From that time on, it just grew in degree."
A few years ago, he came to appreciate the breadth of his collection. "I finally realized that the collection was really outstanding as far as being representative of a long period of time and of the types of weapons that the average person used throughout these periods."
Schlosstein created the museum as a nonprofit and took out a loan to finance construction of the building, which began last year in his hometown.
He worked with Christopher Dobson, a former armourer at the Tower of London and expert in medieval and Renaissance history, to design the museum's layout. A key decision was to pair period art with the museum pieces. "That enables us to not just have a helmet on the wall or a mace on the wall but to show how it was actually used," Schlosstein said.