The folks behind New York's Afropunk festival want to clear up one possible misconception about their satellite event this weekend: They picked Minneapolis because of the good things about this city, not the bad.
"Prince, Jam and Lewis, Morris Day & the Time, First Avenue and all of that legendary stuff," producer and creative director Anthony Maddox listed off, also citing the city's relatively diverse population of Somali and other African immigrants.
As for Minneapolis' all-too-well-known struggles with racial injustice, he said, "Afropunk is more just the canvas. We give musicians and activists the platform to speak. However they want to amplify their message, it's their message."
Launched in 2005 at the Brooklyn Academy of Music — based off a 2003 documentary of the same name — Afropunk has evolved over 17 years from a festival literally centered on punk music. It's now a website, promotions company and all-out brand that spotlights "alternative Black culture." That's quite a broad definition these days.
This weekend's Minneapolis installment is a testament to that wide swath.
The centerpiece event is a ticketed one-day music fest in a parking lot next to northeast Minneapolis' Sheridan Memorial Park, which is doubling as a Juneteenth celebration. Sunday's 16 scheduled performers are about half-and-half national touring acts and a very well curated selection of young Twin Cities buzzmakers.
Three women top the lineup, a purposeful booking twist that Maddox called "something unique we did for Minneapolis." They are: brassy and semi-bluesy R&B singer Ari Lennox, who landed the viral hits "Shea Butter Baby" and "Pressure" via J. Cole's record label; Chicago's already locally adored wordsmith Noname, and another J. Cole protégée from Atlanta, Mereba.
"This is Ari's first time headlining in Minneapolis, so for her and several other artists, it's exciting just to try to make a splash in this cool new market," Maddox said.