Black Keys, Arctic Monkeys set lists from Target Center

The Keys kicked off with "Howlin' for You" and finished as a duo with "I Got Mine."

May 16, 2012 at 5:08AM
(The Minnesota Star Tribune)
Dan Auerbach at Target Center. / Carlos Gonzalez, Star Tribune
Dan Auerbach at Target Center. / Carlos Gonzalez, Star Tribune (The Minnesota Star Tribune)

"We've been coming here a long time, and always like it."

Dan Auerbach said that about Minneapolis near the end of the Black Keys' Target Center set Tuesday, a reminder that these guys didn't just land their first local arena show overnight -- not like, say, Foster the People, who have enjoyed 10 times the radio play but will be lucky to have half the crowd when they play there next month. As I said in my feature previewing the concert, sometimes the good bands do win. As is spelled out in the full review of tonight's show, this was a solidly triumphant showing. Here are the set lists:

THE BLACK KEYS: Howlin' for You / Next Girl / Run Right Back / Same Old Thing / Dead and Gone / Gold on the Ceiling / Thickfreakness (this one and next three songs played as a duo) / Girl Is On My Mind / I'll Be Your Man / Your Touch / Little Black Submarines / Money Maker / Strange Times / Nova Baby / Ten Cent Pistol / Tighten Up / Lonely Boy ENCORE: Everlasting Light / She's Long Gone / I Got Mine (also as a duo)

THE ARCTIC MONKEYS: Brianstorm / This House Is a Circus / Still Take You Home / Library Pictures/ Don't Sit Down 'Cause I've Moved Your Chair / The View From the Afternoon / I Bet You Look Good on the Dancefloor / Pretty Visitors / Do Me a Favour / Teddy Picker / Crying Lightning / That's Where You're Wrong / Fluorescent Adolescent / Evil Twin / Brick by Brick / R U Mine?

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

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