MUSIC
Johnny Mathis
He was the king of make-out music back in the late ‘50s, years before the Beatles wanted to hold anybody’s hand. Mathis’ “Chances Are,” “Misty” and “It’s Not for Me to Say” are classics that have landed in the Grammy Hall of Fame. An avid golfer who was an Olympic-caliber high jumper in his college days, the always-in-shape Mathis, 89, will be serenading with that quivering tenor until the 12th of never. This will be his first Twin Cities appearance since a 2014 Christmas show. (7 p.m. Sat., Mystic Lake Casino showroom, 2400 Mystic Lake Blvd., Prior Lake, $59-$129, ticketmaster.com)
JON BREAM
Morgan Wade
A big standout among the lesser-known acts at last summer’s inaugural Minnesota Yacht Club, this Virginian country rocker was partially discovered by Jason Isbell & the 400 Unit’s guitarist Sadler Vaden, who produced her 2021 debut album, “Reckless.” That led to opening dates with Alanis Morissette and critical acclaim aptly likening her to a twangy Stevie Nicks. She’s doing headlining shows this winter promoting her follow-up record, “Obsessed,” featuring a few rowdy floor-shakers, some gorgeous heartbreakers and a cool duet with Kesha. (8 p.m. Fri., First Avenue, 701 1st Av. N., Mpls., $35, axs.com)
CHRIS RIEMENSCHNEIDER
Helmet
One of the heavier and crunchier rock bands to land a radio and MTV hit in the grunge era, Page Hamilton and his Los Angeles-based unit of “Unsung” fame are making it to town for the first time since the pandemic to celebrate the 30th anniversary of the “Betty” album. That was the follow-up to the breakthrough “Meantime,” and showed a little more of the freakish and artful side that earned Helmet a spot on Minneapolis’ influential Amphetamine Reptile Records pre-fame, and that later earned Hamilton gigs playing guitar with David Bowie and Joe Henry. Minneapolis’ own Dan Beeman, formerly of We Invented Tornadoes, has served as Helmet’s other guitarist since 2008. (7 p.m. Mon., Varsity Theater, 1308 SE. 4th St., Mpls., $42, ticketmaster.com)
C.R.
Eilen Jewell
The veteran Idaho singer/songwriter’s 10th and most recent studio effort, 2023’s “Get Behind the Wheel,” shares intimate and revealing stories that are cinematic in sound and content. Less acoustic than some of Jewell’s previous efforts, this is a roots-noir project, discussing loss, resilience and redemption. The swampy “Come Home Soon” holds onto a fading dream, Jackie DeShannon’s ‘60s-seasoned “Breakaway” finds it hard to say goodbye and “Alive” travels from a brooding darkness to an encouraging hopefulness. (7:30 p.m. Wed., Parkway Theater, 4814 Chicago Av. S., Mpls., $30-$45, theparkwaytheater.com)
J.B.