How's this for an example of the Internet shrinking the globe -- and maybe even boosting the survival of one people's culture?
According to local Hmong rap star Tou SaiKo Lee, there are Hmong breakdancers in Minnesota whose YouTube videos are making them famous in other Hmong population hubs in Australia and France. Things have become so wonderfully convoluted that Lee, 32, is even working on a Hmong-language album so he can tour France and other countries and still have his rhymes understood.
"The war tore apart our culture and separated our people all over the world, but the Internet is sort of bringing us all back together," Lee said.
Hip-hop is playing a key role in connecting Hmong youth worldwide, Lee believes. That's the main reason he is putting on Boom Bap Village, a Hmong celebration of hip-hop happening Friday at Hamline University in St. Paul, with a film component Saturday at Concordia University. It's timed to the 30th Hmong International Sports Tournament and Freedom Festival -- one of the Hmong community's biggest events of the year -- at nearby Como Park.
Lee remembers going to the sports tournament in years past and seeing kids breakdancing "on the tennis courts or wherever they could find." Often, they would be told to stop or go somewhere else, he said. That's how he got the idea to organize a separate event in 2009.
Although Lee and another rapper from California will perform, Boom Bap Village actually centers around breakdancing. A dance competition will take place Friday from 5 to 10 p.m. at Hamline's Student Center Ballroom. A movie about Hmong breakers in California and Oklahoma, "Among Boys," will also be screened at Hamline's student center Friday at 2 p.m. and again Saturday at 6 p.m. in Concordia University's Buetow Auditorium.
For reasons that cannot easily be explained, breaking is booming among Hmong Americans and other Southeast Asian youths. Probably about half of the competitors in the b-boy/b-girl breaking tent at last month's Soundset festival were Asian Americans.
"It's an art form they can pick up that doesn't require a lot of money, and that crosses language barriers," Lee theorized. Another explanation: The rhythm and movement of breaking is somewhat similar to dance patterns followed by players of the gaeng, a flute-like Hmong instrument.