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In words heard by adversary and ally alike, former President Donald Trump said at a recent rally that when “one of the presidents of a big [NATO] country stood up and said, ‘Well, sir, if we don’t pay and we’re attacked by Russia, will you protect us?’ I said, ‘You didn’t pay? You’re delinquent? … No, I would not protect you. In fact, I would encourage them to do whatever the hell they want.’”
That hell would look like Mariupol, just one Ukrainian city where Russia has indeed done whatever it wanted.
“What can I tell you? That we’ve spent two weeks in hell?” said a sobbing Mariupol woman, sitting on a hospital floor with her lucky-to-be-alive toddler son safe in her arms. She was speaking to Mstyslav Chernov, one of four Associated Press reporters who were the last international journalists to remain. They won a 2023 Pulitzer Prize for their “courageous reporting from the besieged city of Mariupol that bore witness to the slaughter of civilians in Russia’s invasion of Ukraine.”
Video from their intrepid reporting depicted despicable atrocities, like maternity hospitals being bombed, the legs of a youth soccer player being blown off, mass graves dug to bury the innocent victims, and in images impossible to watch and impossible to ignore, parents kissing their dead children. The visceral visuals are “painful to watch, but it must be painful to watch,” Chernov narrates in an AP/“Frontline” documentary “20 Days in Mariupol” that’s nominated for an Oscar.
The film is sweeping in its geopolitical implications and intimate in its anguished moments, like when the aforementioned mother inconsolably sobs out her account of two weeks in hell. “We went to my brother’s house all together so that it wouldn’t be as frightening. We went down to the basement. Women with children all went down to the basement. A shell hit. We were buried in the cellar. We lost two children. They couldn’t be saved. The girl was 7 years old and the boy was 5 years old ... You don’t know where to run.
“Who will return our children to us?”