A year after the fact, Page Burkum can't believe his old-school country band the Cactus Blossoms ever performed without a pedal-steel guitar player.
"It was sort of like a metal band playing without a drummer," Burkum cracked Monday night as his group set up for its weekly gig at the Turf Club in St. Paul.
Many things seemed to perfectly fall into place a year ago for Burkum and his harmony-swapping real-life brother, Jack Torrey. That's when the siblings recruited the best musicians they could find to help record their debut album, not imagining those same players would agree to become full-time members of their band.
Since then, the Cactus Blossoms have quickly turned into the Twin Cities' most beloved new traditional-country act (there's nothing "alt" about them). After a bustling summer of outdoor gigs -- including the State Fair -- they are settling back into bars for the fall, including a show Saturday at Merlins Rest Pub in the popular Schlitz Kickin' Country series.
Certainly, some of the Blossoms' success can be attributed to the seasoned players in the band. Their overdue pedal-steel man, Randy Broughten, is a Trailer Trash vet who also plays in the Gear Daddies. Fiddler Mike "Razz" Russell has played with Joe Henry and Mark Olson of the Jayhawks, while bassist Liz Draper's résumé includes Black Blondie and currently Lucy Michelle's Velvet Lapelles.
However, the fact that these ace musicians of two different generations committed to playing with a little-known country band is also a tribute to the two guys at the helm.
"When I heard the songs they wanted us to play on, that was more than enough for me," said Broughten, whose dedication is no small feat. He commutes from Northfield for the gigs and rises early to teach phy-ed at Rosemount High School.
The songs he referred to are the eight originals on the Cactus Blossoms' 10-tune debut record -- selections that made the CD stand out. They range from the tear- and beer-soaked, Hank Williams-copping opener "A Sad Day to Be You" to the poppier, Everly Brothers-styled "Stoplight Kisses" to the playful floor-sweeping romp "Cold Foot Boogie." All those numbers have two things in common: a raw, vintage acoustic sound dated to pre-JFK, and the two brothers' crisp, timeless harmonies.