When I started the Mary Ann Key Book Club two years ago — with the support and partnership of the Star Tribune, the Hennepin County Library and Friends of the Hennepin County Library — I hoped that a group named after my great-great-great-grandmother might lend a voice to the unheard: BIPOC folks who are often viewed as a monolith instead of communities filled with individuality, depth and complexity.
Mary Ann Key was an enslaved woman in the 1840s and '50s who would sometimes, as she aged, sing to her grandchildren about the places she'd longed to see again. It's a feeling Javier Zamora, author of "Solito," can understand. The talented writer documented his journey from El Salvador to the United States through the eyes of a 9-year-old boy who had to overcome a series of challenges that changed his life and perspective. That's why "Solito" is an impeccable selection for our fifth book in the Mary Ann Key Book Club.
On Thursday at 7 p.m., the Mary Ann Key Book Club will host a "A Community Discussion of 'Solito' " with a distinguished panel, featuring leaders within the local Latino community: Fernanda Acosta, an activist, community planner and climate organizer; Susana De Leon, an immigration attorney and the director of Kalpulli KetzalCoatlicue, a community-based traditional Aztec dance circle; and Teresa Ortiz, a spoken-word poet and adult basic education manager at CLUES, Minnesota's largest Latino-led nonprofit.
And then, on Tuesday at 6:30 p.m., the Mary Ann Key Book Club will host a conversation with Zamora at Minneapolis Central Library's Pohlad Hall, an event that will be both in-person and online.

I had the honor of speaking with Zamora ahead of our community panel and author events. Here is a snippet of that conversation:
Q: How did you go back and channel the experiences of a 9-year-old boy to write this book?
A: A lot of editing, but also a lot of trusting. I suffered this trauma when I was a little kid, so a level of my own personality has kind of stayed as a child. And it takes me a lot … to trust people and to allow that 9-year-old to come out when I meet strangers. But if you talk to my friends who have known me for years, or even my wife, I am very childlike still. And that is directly due to what I described in the book. And so it was hard for me to reveal that to the world and to trust that I could be myself on the page and to pull that off. And all of this was also editing, but also therapy. A lot of the therapy sessions about writing this book were just my therapist telling me to trust my memories and to trust my instincts and to trust myself.
Q: You named this book "Solito," which means "alone." Why did you name it that and did you consider other titles?