Call it the case of the accidental detective. It was pure coincidence that Desiree Whitney found herself unraveling a mystery and bringing back to light a treasured piece of art.
For years, she had often wondered about a large framed mural above the fireplace in her 1900s home in Minneapolis' Lowry Hill neighborhood. The abstract piece includes images of the Foshay Tower, a ladder, an assortment of fruit, a champagne glass and a shaggy terrier, its pink tongue peering out from brown and gray tufts of fur.
But besides noting a signature, Whitney had no leads as to who the artist was. She didn't actively try to learn more about the mystery muralist until she came across another piece of art and noticed that the signature matched the one on the mural at her home.
"I was at an art exhibition at the Hennepin History Museum, and I thought, 'Omigod, that's the artist,' " she said.
The discovery shocked Whitney, who contacted the museum. Local historians visited her home and examined the piece. They confirmed that her hunch was true — it was the work of the same prominent 1930s portraitist featured in the exhibit.
She was put in touch with the museum's curators, who told her more about Frances Cranmer Greenman, a South Dakota-born artist who made Minnesota her home base while traveling the country, painting portraits.
Artist revival
Considering the artist's body of work, the piece in Whitney's house is unusual, said Thomas Peterson, a historian and collector of Greenman's art. He believes she was at one of the estate's lavish parties thrown by Minnesota's wealthiest families when she painted the mural. Peterson estimates the piece is at least 80 years old, painted after the Foshay Tower was completed in 1929 and before the 1940s.