Mary Bue is finally ready to unpack.
Over the past two years, the singer/songwriter's life has been as unsettled as a canoe on Lake Superior. She got a divorce, moved from Duluth to south Minneapolis and opened her semi-namesake Imbue Yoga Studio, only to be awarded a Wurlitzer family artists grant that allowed her to spend this past winter writing and painting in Taos, N.M.
Before she left for the desert, Bue also traveled to Nashville to record her new EP, "The Majesty of Beasts," a stunning collection that covers thicker personal terrain in four quick songs than is found on most full-length albums.
Now back in Minnesota, she's ready to promote the EP with a new band, Friday in Minneapolis and Saturday in Duluth.
"It feels good to finally get these songs out there," Bue said with an understated laugh.
Built on the '90s alt-rock oomph and evocative lyricism of her well received 2015 album, "Holy Bones," "The Majesty of Beasts" kicks off with a bluntly titled, snarly gem based off her heartbreak-filled retreat from her former hometown, "The Sh-- I Left in Duluth." Then it downturns into a somber riff on scenester bar life in "Minnesota Goodbye," which Bue said came to her one night while hanging out at Duluth's Red Herring Lounge.
"Especially as you get a little older, some nights you go out and you're just like, 'Oh, God, get me out of here!' " she said.
The album's stormy centerpiece song is as musically breathtaking as it is socially vital: Titled "Petty Misdemeanor," it recounts in vivid detail a sexual assault that Bue survived in her early 20s, and the lingering hurt over her attacker's meager punishment. "Ten years later, he's still forgiven," goes the song's bombastic refrain.