Official bootleg of Pearl Jam's St. Paul show surfaces

Sirius XM is airing the live recording Wednesday ahead of Tuesday's on-sale date.

November 19, 2014 at 9:36PM
(The Minnesota Star Tribune)
Pearl Jam hit the three-hour mark at last month's sold-out Xcel Energy Center concert. / Jeff Wheeler, Star Tribune
Pearl Jam hit the three-hour mark at last month's sold-out Xcel Energy Center concert. / Jeff Wheeler, Star Tribune (DML - Star Tribune/The Minnesota Star Tribune)

One of the reasons Pearl Jam has developed such a diehard fan base over the past two decades: Twin Cities fans who made it to the band's nearly three-hour performance last month at Xcel Energy Center already have the chance to relive it.

The standard cover for Pearl Jam's 2014 live bootlegs.
The standard cover for Pearl Jam's 2014 live bootlegs. (The Minnesota Star Tribune)

For starters, the Pearl Jam Radio station on Sirius XM satellite radio is airing the recording of the concert today, part of a day-by-day cycle in which it debuts one new concert per day off the group's latest tour. Then on Tuesday, the recording goes up for sale on the band's official bootleg site, available as a download and/or physical CDs for $17.98. Kudos to the band for not charging extra since the show lasted long enough to require a third CD.

Tuesday is also when the Moline, Ill., concert goes up for sale, where the band played its "No Code" album in its entirety. The Milwaukee gig -- with "Yield" played in full -- will go on sale Nov. 28.

Obviously, if you read our review of the surprisingly hits-filled local performance, we'd highly recommend the St. Paul bootleg. Maybe if enough of you download it, that'll help convince the band to not go eight years between Minnesota shows again.

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

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