The longest work stoppage in St. Paul Chamber Orchestra history is over.
After a 191-day lockout, SPCO musicians ratified a three-year contract Monday that cuts base salaries and the size of the ensemble but allows them to resume their season May 9. That leaves one thorny dispute to settle: The Minnesota Orchestra lockout begins its eighth month Wednesday with no talks in sight.
"There's a sense of relief that we can play again," said Carole Mason Smith, who led the St. Paul musicians' negotiating team. "But it's going to be challenging going forward."
The two Minnesota lockouts are one of several at U.S. orchestras pinched by finances. Atlanta and Indianapolis reached agreements last fall that trimmed salaries significantly.
The SPCO agreement cuts base salary by 18.6 percent to $60,000 for a 32-week season. Overscale pay — additional compensation for special skills or leadership — was reduced by up to 20 percent. The size of the ensemble was cut to 28 full-timers from 34, although more players can be added as needed. An enhanced retirement package was approved for musicians 55 and older.
Now musicians and management face the task of healing raw feelings, rebuilding their audience and hiring a new SPCO president.
Both sides felt pressure to salvage the remaining 14 concerts of the season after the cancellation of approximately 80 concerts.
"We knew that if we didn't get back on stage this spring, the consequences next season and further down the road would be so much more destructive," Mason Smith said.