SXSW Friday parties: Spin wins with Hole, Dap Kings

Love returned to the stage with a new lineup of her old band for Spin magazine's party.

April 1, 2011 at 8:51PM
(The Minnesota Star Tribune)
(The Minnesota Star Tribune)

After a couple years of "eh!"-inducing lineups (which the Levi's Fader Fort is producing this year), Spin magazine's once-dominant SXSW day party at Stubb's made a solid comeback Friday -- in large part thanks to an only semi-shakey return by Courtney Love and Hole.

Comedian Margaret Cho gave Love a pretty hilarious introduction, saying that the alt-rock heroine (make sure you spell "heroine" right here) inspired her to "stop wearing underwear and eating cheese." Love herself kept surprisingly mum -- for about 10 minutes. Some of her comments were as bizarre as you'd expect, like when she introduced one new song as, "It reminds me of really [messed]-up sex, when you punch the person." She seemed to be convincing herself more than the crowd that the new Hole lineup will stick: "This is the way it's going to be for a long time, so you'd better get used to it."

It was pretty easy to get used to. The band wasn't exactly tight, but it had the wonderfully messy -- I didn't say grungey! -- sound to reflect the singer's personality. As is always the case with Love, too, some of the new songs had glaringly autobiographical lyrics that were inarguably alluring, such as a power-ballad-ish one where she sang, "I never wanted to be some kind of comic relief... I've been tortured and torn since the day I was born."

Due to writing commitments, I couldn't get out until the late afternoon on Friday -- as if 3 p.m. Is such a late start, leaving me only 11 hours of music! -- so Spin's party was the only one I made. By coincidence, the Spin party led me to see Sharon Jones & the Dap Kings for the second time in order to see the act after them (Hole). Life is good when you're "forced" into a SJ&DP set twice in one week. They played a handful of songs off their new album (due May 4), and while they might've been playing to the rock-centric crowd at Subb's, this was one of the most fast and furious performances of their horn-driven sound I've seen yet.

I also caught Swedish electronic band Miike Snow's set, whose album did nothing for me but were pretty fascinating live -- albeit their Swede look and ambient/stargazey sound couldn't have been more out of place than a SXSW party baked in Texas heat and barbecue smoke. Only thing I didn't like about their set was having to hear people in the crowd make the inevitable Pink Floyd-style joke, "Which one's Miike?"

Photo by Tony Nelson. Full fest coverage at www.startribune.com/sxsw

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

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