Down in the country, birds are on the move. There's an awesome seriousness about their autumn maneuvers.
I've been spending much of my spare time in the southern Minnesota farm country for many years. One of its charms is a changelessness in many essential things, like the scene described in this essay, slightly adapted from one I first published nearly three decades ago:
One afternoon several weeks ago, swirling black storm clouds of birds circled off and on all day above rolling fields of high, dry, brittle corn. Below, making the most of fine fall weather, a convoy of combines rumbled, slicing like battleships through a golden brown sea, cutting wakes of neat machine edges amid the shaggy, tasseled waves.
It's autumn. Time is growing short.
In cities and suburbs, the flamboyant, bittersweet beauty of fall has been vivid in trees ablaze with color, more recently revealing the intricate anatomy of bare branches — like so many gray, skeletal hands raised to the sky in prayer. We've felt the chill breath of winter on the evening breeze, mourned the ever-lengthening nights and delighted in a kind of fragile, day-long twilight as the sun skims ever lower across the southern sky.
Awash in this loveliness, we ready ourselves for winter with busy rituals — hoisting storm windows, raking leaves, searching for sweaters and warm socks happily misplaced just months ago.
But out in the countryside, the funeral rites for the warmer months take on a more extravagant scale and urgency.
The cycle of seasons is an indispensable comfort to the ever-uncomfortable human soul. Troubled, contradictory creatures, we hunger simultaneously for two conflicting conditions — novelty and stability. The seasons uncannily give us both. Spring and autumn, summer and winter — each imposes its dazzling transformation on our world and our lives. Yet none arrives as a stranger. Each new season is familiar, dependable, reassuring even as it turns daily life upside down.