Timeline: Road to the Replacements reunion

September 12, 2014 at 2:30AM
The Replacements Poster Show at Hightail by Kii Arens
Poster by Kii Arens (The Minnesota Star Tribune)

July 4, 1991: The band's original run ends with an unceremonious final gig at Taste of Chicago.

Sept. 23, 2007: Frontman Paul Westerberg plays his last live show for six years, a Rock and Roll Hall of Fame video series taping at First Avenue.

Feb. 19, 2012: Guitarist Bob "Slim" Dunlap suffers a severe stroke that leaves him paralyzed.

September 2012: Westerberg and Tommy Stinson record a four-song EP in one day at Ed Ackerson's Flowers Studio to kick off the "Songs for Slim" benefit series.

Jan. 15, 2013: Only 250 signed vinyl copies of the Replacements EP go up for auction via eBay. They raise $106,000.

June 12, 2013: Tweet from @RiotFest: "Holy [expletive]. We're getting the band back together." Hours later, amid a social media blitz, the 'Mats are confirmed to play RiotFests in Toronto, Chicago and Denver.

Aug. 16, 2013: Ex-Westerberg sidemen Josh Freese (drums) and David Minehan (guitar) are publicly named the replacement Replacements.

Aug. 25, 2013: Toronto's RiotFest. First show, first words to fans: "Sorry it took so long. For 25 years, we've been having a wardrobe debate."

April 11: First of two sets at Coachella, first of the band's 13 festival gigs for the year.

May 3: All 13,000 or so tickets to the band's first Twin Cities show in 23 years at Midway Stadium — and their only non-festival performance — sell out within 10 minutes. Many fans never even got through online.

May 4: "Most rock acts would consider it a no-brainer to go for two [concerts]," the Star Tribune reports/prods. Nice try.

CHRIS RIEMENSCHNEIDER

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

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